Monday, July 20, 2009
Wednesday, April 15, 2009
I recently purchased two books by Walt Stanchfield suggested by a friend of mine. The books offer insight into the art of sketching and drawing. The material mentioned by Walt Stanchfield offer some inspiring thoughts and techniques to any person excited about sketching and drawing. My sketching has fallen by the wayside this past winter season and browsing these books I have found some new motivation and excitement to tackle my next visit to the local studio drawing sessions. Both books "Drawn to Life-20 Golden Years of Disney Master Classes, Vol.1"and "Drawn to Life -20 Golden Years of Disney Master Classes,Vol.2" Each book sells for $24.50 (including shipping) or a total of $49.00 which is a steal considering the wealth of information offered by an exceptional teacher who started his career with Disney Studios in 1937. This collection of reference material offers any illustrator information to improve ones skill and gives inspiring insight for keeping the sketching and drawing process evolving within you. I love reading Walt Stanchfield's humor driven insights and can't wait to apply his ideas at my next visit to the drawing sessions.These books are available at Amazon.com (Volume 1) and (Volume2).
Wednesday, March 18, 2009
Some illustration samples created for Pearson Education's reading program. This project was a challenge because I was trying to achieve artwork that was realistic based on reference pictures relating to the American Revolutionary War.
Sunday, January 25, 2009
Know Yourself Well:
How well do you know yourself because freelancing will require that you can deal with yourself alone for periods of time. This means when no work is coming in or you have a deadline and need to stick with your project and delay your social life.
You Are The Boss:
You will decide when to work or take a break. Decisions are made as you see fit as long as you complete your projects by the deadline. There is a lot of personal freedom to do errands or take a casual walk around the park when everyone else is at work. You are not constrained by working at an office cubicle nine to five. You are able to decide what needs to be accomplished each work day.
Stress And Tension:
There is a price to pay for this freedom and dealing with stress and tension exists as you wonder when the next project will arrive. You learn very quickly how to budget and allocate funds as needed. Do you have enough funds to market and create an effective marketing program?
When working on a project how many late nights or days do you have to work until you complete your project. You wear many hats to accomplish your tasks. You are a skilled psychologist dealing with many professionals(designers, editors, writers, etc.) negotiating to make sure the project runs as smoothly as possible.
There are undefined boundaries between work and personal life that you learn to resolve. Since your home may be your studio, you have to decide with each working hours what to accomplish and when to spend time with family and friends.
Unlimited Growth Potential:
There is a lot of pressure that you face as a freelancer but there is also a lot of opportunity if you create good work, succeed with marketing, work with effective business skills and treat your peers professionally. Your job opportunities should increase as well as your income. You can take on different projects that you feel offer an avenue for personal growth and potential for increased income.
Friday, January 16, 2009
When I begin an illustration the sketch is the first step in completing the artwork. I place the sketch and scan it with my Canon Lite within the software Photoshop. I cleanup the black lines and lighten up the white areas. The eye dropper tool selected from the Window menu in Photoshop assists me in this task and tells me if my blacks are to light or the whites are to dark.
Once I am satisfied with my sketch I will create another layer above the sketch layer. The sketch is on the bottom layer and I create another layer above for the color layer and select multiply from the modes dropdown menu in the layers palette. This lets me color on this layer and not affect the sketch below.
There are many tricks and tips in photoshop and I recommend that you go down to your local Barnes & Noble and head to the computer books section and read the many books about streamlining using Photoshop. I color areas using the black outline layer as a guide and continue until the illustration meets my satisfaction. My brush selection varies so I can achieve either a flat color effect or an airbrush effect. I use the mode, opacity, flow, and width features that Photoshop supplies to adjust my brushes to fit my needs. You will find these adjustments when I select my brush menu with either the F6 key, select the Window menu and scroll down to brushes, or select the Window menu and save my work space and bring up my selection menus already arranged to work with.
When my illustration is finished I save the file and print it out with my Epson printer. If I like what I see I save the file and flatten all the layers; otherwise I rework until I am satisfied. There are many ways to create your illustrations with Photoshop and I hope my suggestions offer some new insights.